The Generationals released a video for “Angry Charlie” just in time for your backyard bbq’s or trips to the shoreline. This is still my favorite summer album. It’s like a drinking a can of good mood.
Not sure if I’ll post anything else until after the weekend, so if I don’t, have a great 4th.
Bombadil is a band and a word that I was unfamiliar with. I did a quick check on Wikipedia and apparently there’s a fellow named Tom Bombadil that is described in J.R.R Tolkien’s 1934 poem, “The Adventures of Tom Bombadil,” as a “merry fellow” living in a dingle close to the Withywindle river, where he wanders, exploring nature at his leisure. Oddly enough, that spirit of back-country exploration is a fair description of the band and their recent release, Tarpits and Canyonlands.
Bombadil was formed by Duke University alumni in North Carolina by way of Bolivia, giving them an international flavor on folk and Americana music. Tarpits and Canyonlands will be released by Ramseur Records, which was the first sign that I’d most likely love the album. The second sign was the second song called “Sad Birthday.” It’s an upbeat piano driven, hand-clap accented number that is brimming with musicianship and raucus energy.
“Honeymoon” is the next song and another standout. Much like “Sad Birthday,” they take a serious theme and marry it (pun intended) with playful arrangements as they question “what lies beyond that honeymoon?” Their sound is a blend of Cat Stevens and The Avett Brothers that will have you tapping your steering wheel, bouncing in your chair, skipping in your step, or otherwise drawing a bit of drudgery out of your day.
Tarpits and Canyonlands will be released on July 7th.
July is a heckuva month to see live music in Chicago. With Festival Season in full swing, there’s a great show to see every weekend – and almost every night. Of course, Pitchfork Music Festival is in the middle of the month with an exceptional lineup, but there’s plenty more to tickle your fancy the rest of the month. Here are the shows we recommend. See you at the rock show.
I’m sick of Michael Jackson coverage. I didn’t want to post anything about his passing, but HearYa Live Session producer, Steve Shirk, is off in Cambodia or Laos or some such humid location and made time to send me a great link. A group of producers are sharing memories from days working with Michael and I found it fascinating. Much better than the shit on television. There’s no denying that the man was a genius. Here is a snippet from one of the members of the online forum:
One morning MJ came in with a new song he had written overnight. We called in a guitar player, and Michael sang every note of every chord to him. “here’s the first chord first note, second note, third note. Here’s the second chord first note, second note, third note”, etc., etc. We then witnessed him giving the most heartfelt and profound vocal performance, live in the control room through an SM57.
He would sing us an entire string arrangement, every part. Steve Porcaro once told me he witnessed MJ doing that with the string section in the room. Had it all in his head, harmony and everything. Not just little eight bar loop ideas. he would actually sing the entire arrangement into a micro-cassette recorder complete with stops and fills.
At one point Michael was angry at one of the producers on the project because he was treating everyone terribly. Rather than create a scene or fire the guy, Michael called him to his office/lounge and one of the security guys threw a pie in his face. No further action was needed . . .
Justin Townes Earle just released a video for his song “Midnight At The Movies,” from his album of the same name (Our review). You can also download the tracks from our live session with Justin Townes Earle.
Video: Justin Townes Earle – Midnight At The Movies
I visited Merge Records website last night and noticed an announcement that Spoon is releasing a new EP called Got Nuffin. A few more searches later and I found the mp3 posted over at I Guess I’m Floating. The EP will be out on Tuesday.
Not really a pic from Wilco’s show at Mountain Winery, but a nice image of the venue.
Wilco made a tour stop at the amazing Mountain Winery in Saratoga, CA last night. The show had everything you’d look for in a concert – a great opening act, an amazing set list, a gorgeous venue, short beer lines with Sierra Nevada on tap and a dash of drama between Tweedy and a pesky fan to entertain between songs. It might be the best concert I’ve ever seen.
Led by a fully bearded Will Sheff, Okkervil River opened just before nightfall with a brief 30-minute set as people trickled to their seats. The crowd? Mostly 35 and over professional Silicon Valley types. The folks seated around us hadn’t heard of Okkervil River, but the band slowly won the audience over and sealed it with “Lost Coastlines.” They walked off to a standing ovation.
Wilco took the stage as the sun was setting and played through my favorites, as if I’d picked the set list. I’ve been to several Wilco shows but have never been so fully satisfied with the song choices. The biggest highlight for me was an acoustic “Remember The Mountain Bed” while others included “Forget The Flowers,” “Jesus, Etc,” “Impossible Germany,” “I Am Trying To Break Your Heart” and “California Stars.” The night was clear and the moon and stars created a tapestry over the Paul Masson winery and adjacent rolling vineyards. A stunning scene to say the least.
Throughout the show, however, Tweedy and a front row corner stage fan engaged in some banter that the rest of the crowd thoroughly enjoyed. Apparently the fan was upset with Wilco because the vocals weren’t up loud enough. Tweedy’s response was something like: “I’m sorry you can’t hear, but I’m not the sound tech. Do you go to a Who concert and tell them to get new monitors? By the way, I am equating us with The Who right now.”
Another song later, it continued.
Tweedy: “That’s what happens when you come to shows in a place as beautiful as this. There are neighbors and we can’t play as loud as usual. Maybe you could hear better if you would stand up!” The crowd applauds, then Tweedy continues: “When I saw the tour schedule, this was not the stop where I thought I’d lose control.”
You’re getting the picture. It continues throughout the concert and it is awesome.
Tweedy: “Dude, how are you complaining?! Your seat is 5 feet from Nels Cline! You should be happy!”
The guy actually approached the stage at one point and Jeff leaned down to hear what he had to say. Tweedy then jumped back to the mic and said “Whoa, whoa. Don’t blame your wife. LAME!”
Kudos to Tweedy and Wilco for keeping a great sense of humor throughout the dialogue and for continuing to perform like pros. I can understand the fan’s frustration. I’m sure they thought they lucked out with the corner stage seats, but most concert goers know that there’s a good chance the show will sound like shit from that location. I was further back, center stage and found the sound to be damn-near perfect.
All in all, it was truly special night. I was able to enjoy a California summer night with my lady, listening to two of my favorite bands playing my favorite songs, all while drinking my favorite brand of beer. What more can you ask for?
Fan Video: Wilco – Hummingbird, Live at The Mountain Winery. Notice the stage antics.
Wilco (the Song) / I Am Trying to Break Your Heart / Bull Black Nova / Remember the Mountain Bed / One Wing / Muzzle of Bees / Shot in the Arm / At Least That’s What You Said / Impossible Germany / Forget the Flowers / California Stars / Jesus, Etc. / Handshake Drugs / You Never Know / Hate It Here / Walken / I’m the Man Who Loves You // Ashes of American Flags / Heavy Metal Drummer / Hummingbird // The Late Greats / I’m a Wheel
“Don’t you believe the words of handsome men.” Conjures up thoughts of politicians, news anchormen and American Idol hosts, however in this particular case it comes courtesy of the third song on Rock Central Plaza’s new album, At The Moment of Our Most Needing (Paper Bag Records). This is the band’s fourth release and follows up 2006’s critically acclaimed Are We Not Horses—a concept album about, of all things, mechanical horses with real horse feelings.
No surprise, given the subject matter behind their previous release, this Toronto band tends to get the “literary” label thrown its way. A label like that frankly can be a little off-putting, but also leads to the other common reference…the music of Neutral Milk Hotel. And yes, at times, this band does sound like NMH partly because of the Mangum tinged vocals of Chris Eaton and the plentiful horn sections throughout these songs. At other times, the music borders slightly on the baroque, reminding me of Beirut but in a good way. Eaton’s voice takes a little while to get used to and occasionally takes on the characteristics of a wailing dog, but it adds an undeniable element of strained emotion to these songs.
Some of the notable tracks include the previously referenced third song, “(Don’t You Believe the Words of) Handsome Men” and “Holy Rider,” which has some fantastic string and trumpet/trombone sections while “Them That Are Good” kicks off with something similar to a New Orleans style funeral march and lyrically poses a riddle, “when we fall from the light, will it make our darkness bright?” One other thing – the sequencing of the tracks appear to be carefully chosen by the band, and meant for an end-to-end listening experience. There are two instrumental tracks that act as interludes or intermezzos. One occurs following “Holy Rider,” a song that darkly concludes with Eaton yelping “I have lost my way.” An instrumental follows and eventually slips into one of the more optimistic songs on the record, “We Are Full of Light.” The instrumental is well placed to transition the emotion of those two very different songs.
There is a time investment required to gain full appreciation of what is some very inspired indie-folk. Those that are patient enough to understand Rock Plaza Central will be rewarded with something beyond unique.
Yes, it’s Jim James from My Morning Jacket. Back in 2001, he recorded a tribute album to George Harrison and on July 7th he’ll release the EP under his solo moniker, Yim Yames.
You can head over to his site to trade your email address for a free download of “Behind That Locked Door.”