Trampled By Turtles are my kind of Bluegrass band. They don’t have that clean, crisp Nashville sound you may think of when you think “Bluegrass music.” Instead, they embrace a looser sound that blends rock and punk into their twang.
TxT hails from Duluth, MN and have quietly released five albums, the latest of which is one of my personal favorites of last year. Palomino is a brilliant record that balances furious energy, calming ballads, frantic finger-picking, three-part harmonies, and startlingly good songwriting. Three of the four songs in this session, Victory, Help You, and New Orleans, can be found on Palomino. The heartbreaking ballad entitled Widower’s Heart is a new and unreleased track whose title requires little explanation on its subject matter.
I’ve seen them twice at SxSW in two consecutive years and they were in my top three sets each year. Dave Simonett (guitar/vocals), Ryan Young (fiddle), Erik Berry (mandolin/vocals), Dave Carroll (banjo, vocals), and Tim Saxhaug (bass/vocals) each command their instruments and demand equal attention from the audience. I was chatting with an old friend before they took the stage at HomeSlice Pizza last year in Austin and halfway into their first song, we ended our conversation mid-sentence and didn’t take our eyes off the stage until the set concluded. “Good” is an understatement.
Trampled By Turtles have a few tour dates left this summer, so catch up with them if you can. No matter how hot it is, there’s a very good chance that Erik Berry will be wearing overalls, a cowboy hat, and full beard.
9/11 was suddenly thrust back into our minds last night and today as we learn the details surrounding Osama Bin Laden’s death. We were collectively shaken to our core after the fall of the Twin Towers and the events of 9/11 inspired lyrics in many songs released in 2001 and the years following. Songs like “Jesus Etc” by Wilco are aural fossils of the time period, with words like “Tall buildings shake/ Voices escape singing sad sad songs” serving as subtle artifacts for future generations to explore.
A decade later, The Low Anthem released Smart Flesh and a song called “Boeing 737.” It’s my favorite song of the year – my favorite in recent memory. It opens with a violent fury of cymbals crashing over trumpet, guitar, and pump organ and lyrics that would make Guthrie proud. The song places a character high up in the World Trade Center where he buys a drink for Phillipe Petit, a tightrope walker known for his epic “man on a wire” tightrope walk between the Twin Towers in the 70′s:
I was in the air when the towers came down
In a bar on the 84th floor
I bought Philippe Petit a round
And asked what his high wire was for
He said, I put one foot on the wire,
One foot straight into heaven
As the prophets entered boldly into the bar
On the Boeing 737, Lord, on the Boeing 737
You’ll then find lyrical genius in the chorus:
Hey little bird, would you be the one
To nest beneath my Gatling gun?
There’s nothing left I call my own
Come down and build me a home.
The literary verse is open to interpretation, but it paints a picture for resolution and a more peaceful existence. “Boeing 737″ has the capacity to weaken your knees or reduce you to tears and its song craft is triumphant – almost prophetic. If it had been written today, inspired by last night’s events, the song would make total sense. I hate to ignore the beauty in other songs in this session, especially “Love and Altar,” but 737 is a personal song obsession.
It’s hard to put into words what The Low Anthem’s music means to me. There isn’t a band out there that I’ve listened to more frequently or with as much focus over the years. I continue to listen to their entire discography, including What The Crow Brings, Oh My God, Charlie Darwin, and now Smart Flesh and find more to explore each time. I frequently revisit our first session with The Low Anthem to hear “Charlie Darwin,” my favorite recorded version of that song (perhaps because I was in the live room videotaping). And now here we are with a fresh batch of songs off of 2011′s Smart Flesh.
The band poses some challenges in a session because each musician in the band rotates to play a different instrument on each song. Allow me to illustrate with notes from session producer, Steve Shirk:
“Matter of Time”
Ben: Vocals and Pump Organ
Jocie: Clarinet
Jeff: Upright Bass
Matt: Saw
“Boeing 737″
Ben: Vocals and Guitar
Jocie: Vocals Pump Organ and Trumpet
Jeff: Drums
Matt: Vocals and Electric Bass
Graham: Banjo
“Burn”
Ben: Vocals and Banjo
Jocie: Dulcimer run through a guitar amp
Jeff: Drum Kit
Matt: Electric Bass
Graham: Saw
And then on “Love and Altar,” the band gathered around Shirk’s vintage RCA 44bx ribbon microphone – Ben on acoustic guitar, Matt on Banjo, Jeff on Jaw Harp and Jocie on the faintly heard Hammond Organ. Shirk fed the recorded signal through an EMT 140 plate reverb. When he played a rough mix back for the band a few minutes later, he mixed in loads of reverb against the dry signal. Worried that it might be too much, he checked with Ben Knox Miller to get his opinion. Ben said to give it some more. Jocie then chimed in and coined it “the underwater mix.” I like that.
Enough gushing. We felt honored to have The Low Anthem back in the studio.
Happy New Year y’all! We recorded a live session with The Deep Dark Woods back in September and Shirk is putting the finishing touches on the mixes. Unlike our previous session with The Deep Dark Woods, this one features only cover songs.
I’m still on vacation, but here’s a sneak peak of the Canadians performing The Grateful Dead’s “Peggy-O” in our soon to be posted session. We couldn’t wait to share.
For the right people, obstacles become opportunity and hardship becomes promise. After the breakup of her previous band, a duo called Georgie James, Laura Burhenn gathered her favorite music, books, and friends and began crafting the music that would become The Mynabirds. What We Lose In The Fire We Gained In The Flood was the [...]
Here is the second video from our live session with These United States. “Study The Moon” was the last track from the session, which explains the dripping sweat. Thanks to everyone in the band for a solid effort. I especially enjoy the kung fu segment at the end. Video: These United States – Study The [...]
When I looked at this year’s Lollapalooza lineup, it was special to see seven HearYa Live Session alumni on the roster. Two more (The Henry Clay People and The Low Anthem) stopped in for breakfast sessions during the fest. To celebrate this non-historic event, our live session producer Steve Shirk was nice enough to put [...]
I have had the privilege of seeing many phenomenal acts roll through the HearYa studio for some intimate personal concerts. I don’t think there has been a session yet that has moved me like this one, featuring Stillwater, Oklahoma band Other Lives. Their arrangements are simply amazing and they have a unique ability to sound [...]
The Everybodyfields posted this letter on their website. The abbreviated version is “Thanks. We’re done. Come out and see our solo projects.” Dear friends, We have had such a blast playing for all of you in the past five or more years.‚ We have slept on your couches, floors, patches of grass, and the occasional [...]
Hacienda, the foursome from San Antonio, recently rolled into the studio sporting some serious Auerbachs. For those wondering, an Auerbach is a long bushy beard similar to the one worn by Black Keys lead singer, Dan Auerbach (patent pending). Hacienda’s 2008 release, Loud Is The Night (produced by Auerbach) has been a staple in my [...]