album review

The problem with First Aid Kit is that their singing is so damn good that you’ll overlook their equally good songwriting.  The album opens with this verse on its title track:

Now the pale morning sings of forgotten things
She plays a tune for those who wish to overlook
the fact that they’ve been blindly deceived
By those who preach and pray and teach
But she falls short and the night explodes in laughter.

I fell in love with the debut album released by these Swedish sisters in 2010, but I was very nervous before listening to their sophomore release. In The Big Black & The Blue I could hear the commercial appeal in their look and sound, so in listening to The Lion’s Roar, I pressed play and squinted my eyes, waiting for impact. Other recent artists (not naming names) started with similar successful debuts and then followed with a change in direction that had their original fan base scratching their head. So the moment of truth – Are First Aid Kit heading into pop territory to grab the bubble gum teenie bop fans and their mothers?

I shouldn’t have second guessed First Aid Kit. Sisters Klara and Johanna Söderberg delivered an album that trumps its triumphant debut and opens with two songs, the title track and Emmylou, that will be two of the best songs released on any album this year. My guilt really set in when first hearing “Emmylou,” a song that name drops American Country heroes:

I’ll be your Emmylou and I’ll be your June
If you’ll be my Gram and my Johnny too
No, I’m not asking much of you
Just sing, lit tle darling, sing with me

If more women in their teens and early twenties listened to Gram Parsons and Johnny Cash, the word “Snooki” may never have been uttered outside of Jersey and our vernacular and world would be better off.

Other favorites of mine are the heartbreaking “This Old Routine,” “To A Poet” and “Dance To Another Tune” all sung with perfection and infused with heavy emotions and a dash of darkness. But “I Found a Way” and “King of the World” lighten up the mood, the latter of which includes The Felice Brothers and Connor Oberst. In fact, The Lion’s Roar was recorded with producer Mike Mogis (of Bright Eyes and Monster Of Folk; producer of Cursive, Lightspeed Champion, Pete Yorn, and many others) in Omaha, NE and included a cast of Omaha-based musicians.

It’s the collaboration with these musicians – a full band – that takes The Lion’s Roar leaps ahead of it’s debut. It’s the songs and the ladies behind them that will make this one of the finest albums in 2012. With talent like this, I think First Aid Kit will manage to stay true to the music they love while also finding masses of adoring fans. You’ll find two videos below and if you like what you hear, jump over to download tracks from our live session with First Aid Kit.

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River Whyless came to us via an email from one of their fans. She said, “If you have some time to take a listen you won’t be sorry.” No lofty band comparisons included and no hipster name-dropping – just a bold proclamation.

Not knowing if I was about to hear electronica, metal or some blend of the both, I took a listen and was immediately floored. Turns out they are a four piece from Boone, NC and they kick out an earnest, upbeat brand of Appalachian folk. The two main songwriters are Ryan O’Keefe and Halli Anderson and it says here that Halli is also a classically trained violin player and she isn’t afraid to put it to good use.

They have a sound familiar with other HearYa favorites such as Horse Feathers, Seryn and Wilderness of Manitoba. My favorite tune is “Stone,” a sprawling 7 minute plus tune that explores religious themes (or at least I think they do). It starts with a melody that would sound comfortable on a Fleet Foxes album and then at about three minutes, it breaks down with some spectacular and ominous violin playing before coming to a standstill. The guitar and banjo slowly pluck the song back to life with Anderson on vocals. Then the band builds into a climatic finish and ends with just the chorus and a feeling of peaceful satisfaction.

There is plenty more to like on A Stone, A Leaf, An Unfound Door. Great thing is you can go find out for yourself if you download it on bandcamp on the cheap or for free. In addition, those lucky enough to be in Austin will have the chance to catch them at SxSW. I have a feeling that you will be hearing much more of River Whyless .

River Whyless – Stone

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I’m really looking forward to music in 2012. We’ve got releases coming out from Lucero, Damien Jurado, The Shins, Delta Spirit and a bunch more. But in all the excitement, let’s not overlook the up and comers in 2012. One such band is a five-piece folk-rock band from Houston that goes by the name Buxton.

The band is celebrating the soon-to-be released New West Records debut album “Nothing Here Seems Strange.” And they do have reason to celebrate. Not just because they landed a record deal with a label touting bands like Old 97′s, Steve Earle, Tim Easton and Drive-By Truckers on it’s roster, but also because Nothing Here Seems Strange is a surprisingly sophisticated (and really good) album from such a young band.

The album starts with the ominous “Wolves and Owls.” The song is sparse and loose in the beginning, featuring echoing vocals over a repeating banjo lick. After a minute, you’ll hear piano, soft percussion, light backing vocals and I’m fairly sure an accordion layered in. But it’s at about 2:15 when the song opens up and shines with a stunning little guitar solo. A piano ballad called “Fingertips” follows and shows the band’s soulful side and tender underbelly.  Then “Blown a Fuse” moves into more accessible, dare I say Pop, territory with a catchy melody, punchy guitar solos and even some “ooooh OOHH OOOHH oooohhh” in the chorus. Catchy as hell indeed.

But it’s when “Boy of Nine” strikes that you know Buxton means business. The song is pure folk-rock addiction and begs your fingers to snap incessantly during and then press repeat at its conclusion. Once you finally move beyond “Boy” however, you’ll discover the soaring “Down In The Valley” and the whispering “Body Count” holding down the second half of the album and book ending one helluva fine album from an unknown band outside of Houston.

If you fancy yourself a fan of Clem Snide, Son Volt, Frontier Ruckus, Calexico, banjos, electric mandolins, feel-good music and melancholy music, then you should check out Buxton. Look for Nothing Here Seems Strange on January 31st.

Buxton – Boy Of Nine

 

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WATERS – Out In The Light [Album Review]

by oz on October 31, 2011

WATERS is the band that emerged after Port O’Brien dissolved. Founding POB front man Van Pierszalowski fled the States for Oslo, Norway after the breakup before continuing his travels to Alaska where he’d spent time working with his father, a commercial fisherman. Then off to his hometown in Northern California, over to Brooklyn, then back to Oslo to put a band together and form WATERS.

Port O’Brien was a band near to my heart after discovering them shortly after I moved to the Bay area in 2007. I saw them in four different cities, had a few pints with them in Boston, and became a close enough acquaintances to garner a bear hug from Van every time we crossed paths – although I don’t think he’s stingy with his hugs. Needless to say, I was devastated to hear that Port O’Brien broke up and I became extremely nervous to see Van’s new band name in all capital letters. A band name in all caps? I was picturing neon colors, LOTS of synthesizer sounds and the word “experimental” in the genre description.

Out In The Light turned out to be better than any Port O’Brien record.  According to Van, “The record is about waking up. It is about getting out of a situation that seems endless, and realizing you’re not too old to make dramatic and sudden changes in your life. It is about starting over.” It’s also about unleashing something more bold, loud and complete than anything he’s released before.

Out In The Light makes a statement with the fuzzy “For The One.” The familiar sound of the acoustic was set aside for brash guitars, clashing drums and harsh vocals that put your speakers to the test. “O Holy Break Of Day” is the signature tune on the album, balancing tempo changes, heavy handed guitar solos and poignant lyrics:

feeling reckless but there’s a light at the edge of my room
i never imagined i could be a free man this soon
take my warnings just to find my way back through
home isn’t waiting oh lord i am overdue

oh i can’t believe this all was for free
i dreamed the fucker right out of me
i can’t believe i took it for granted
o holy break of day

feeling weezy but there’s a way i can’t let it go
hold my hand softly if you hold my hand at all
never imagined i could be a free man this soon
wade through water, there’s a light at the edge of my room

The album lightens up on songs like “Out In The Light,” the acoustic ballad, “Ones You Had Before,” and the liberating anthem “If I Run.” The closer, “Mickey Mantle,” is the clincher. It’s a beautifully crafted solo acoustic number with light keys, late blooming percussion and female vocal harmonies. Van’s songwriting is showcased again:

never thoguht to light a candle
never thought i’d have to gamble
I was feeling micky mantle wasted

driving up the 1 and frantic
turning into an old romantic
I was sleeping n the attic waiting

can’t nobody ever see
don’t make a mess of me
i ain’t to old to give a shit

i could turn a train around
i could take your country down
i aint’ too young to regret

forever, forever, forever
i ain’t too young

The song will resonate even more with you if you’ve been belittled by Mickey Mantle after asking for an autograph. But enough of my emotional scars.

My hat goes off to Van Pierszalowski. WATERS is a triumph and one of the year’s best albums.

WATERS – For The One

WATERS – O Holy Break Of Day

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Deer Tick – Divine Providence [Album Review]

October 27, 2011

I was talking about Deer Tick to some guys that had never heard of them before. My description was one of an old time rock and roll band who are about drinking canned beer, smoking reds and wearing their hearts on their sleeves. In any Deer Tick album, you’re going to have a few moments [...]

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She Keeps Bees – Dig On [Album Review]

October 20, 2011

Since we’ve been blogging about music, I’ve discovered new bands in all sorts of unique ways. This one might take the cake. I was coaching my kid’s kindergarten baseball team and mentioned to the other coach that I was going to go to Schubas that night. It turned out that his brother-in-law and his girlfriend [...]

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The Barr Brothers – S/T Debut [Album Review]

October 14, 2011

“Hey! You harpist! Turn it down. C’mon, I’m trying to think over here.” Thankfully Brad Barr didn’t have that reaction when living next door to harpist Sarah Page or else I might have been robbed of one of the most pleasant surprises of the year. In a scene that can only be recreated in a [...]

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little hurricane – Homewrecker [Album Review]

September 1, 2011

In the real world I work in insurance. Rising claims from the summer rain and wind has made life pretty shitty. So when Oz sent over an album called Homewrecker by a band called little hurricane (yes, all lowercase),  I couldn’t help but admire the irony. This dirty blues duo from San Diego was brought [...]

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Dead Man Winter – Bright Lights [Album Review]

August 23, 2011

Dead Man Winter is the country-rock side project of the Minnesota Bluegrass band, Trampled By Turtles. TxT’s Dave Simonett, Ryan Young and Tim Saxhaug are joined by drummer Noah Levy and country blues guitarist Erik Koskinen to escape a world of acoustic bluegrass and enter a realm where electric guitars and amps are front and [...]

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Drive-By Truckers’ Greatest Hits – 1998-2009: What tracks did they miss?

July 15, 2011

Drive-By Truckers are releasing a Greatest Hits album, Greatest Hits – 1998-2009: Ugly Buildings, Whores and Politicians. If you read HearYa, chances are you’re a fan of Drive-By Truckers. DBT is the band that formed the friendship between Oz and myself and subsequently this blog. Now we’re BFF’s and DBT has their first greatest hits [...]

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