
Can anyone truly capture tension and anxiety like The National?‚ Matt Berninger and crew follow a consistent recipe on their new release, High Violet, released yesterday.‚ ‚ If darkness is indeed palpable, High Violet will make you feel it.
The album kicks off with my favorite track, “Afraid of Everyone,” building to a modest crescendo of nervy, scratchy lead guitar and pulsating percussion that drive a current of tense electricity.‚ Following is the most Boxer-like track on the album, “Bloodbuzz Ohio” and shortly thereafter is the wonderfully depressing “Sorrow.”‚ Even in the brightest of your days, you can’t help but be affected by lyrics such as the opening lines of this track, “sorrow found me when I was young/sorrow waited, sorrow won”.
The sun rarely emerges around the clouds on this album, but like Elliott Smith at his peak, dark music can be wonderfully enjoyable.‚ It isn’t the gloom that resonates on High Violet so much as it is tension.‚ Unlike the bands that followed the trail of Wilco and Yankee Hotel Foxtrot in an effort to capture post 9/11 America, or the anxiety of living in the technological world as conveyed by the music of OK Computer, The National seems intent on describing the intensity of our everyday existence; our common maladies.
Unlike Boxer, this album largely lacks the big anthem and the simple moments stand out, the occasional light acoustic strums, soft piano, mixed with appropriate does of string arrangements. This is a great album from a band at its peak.‚ At times the lyrics can be a little wearisome, but all-in-all the music and musicianship is wonderful and reflects the full talent of this band.
Live Video: The National – Anyone’s Ghost
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