Bloomsday Rising

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Moish

If you miss the straight-talking side of Jeff Tweedy, get to know Chris Allen

by Moish on April 8, 2008

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Chris Allen

Now that you know what Paste Magazine has to say about Chris Allen, let me give you my two cents. This guy is a really talented singer/songwriter capable of great things. I’m not so sure I fully embrace the Tweedy analogy; I’d say Chris channels more of a Paul Westerberg vibe, but in the end it doesn’t matter. A few Friday nights ago, I was lucky enough to catch him play a showcase at a dive bar in the middle of nowhere. Technically it was in Chicago, but I’ve never trodden down any of the trails around WeeGee’s Bar before…it definitely was off the beaten path.

My friend Jon turned me on to Chris when he was still a member of Rosavelt and I’ve loosely followed Chris’ career ever since. His last album, Good-Bye Girl and the Big Apple Circus, had its share of stand out tracks (Tilt-A-Whirl, Back to Zero, Girls of ’91) and always seemed to be a mainstay on my iPod. So when Jon invited me to the showcase that he helped organize I happily went.

Things started off with a bang. Chris opened the show with the rollicking title track to the new album, Things Unbroken, and I found myself bobbing my head and tapping my toes from the first note. I was hooked. The vocals had just the right amount of grit to withstand the counterpunching harmonies from a very competent backing band. It was a great start to an evening that featured lots of new rockers—Renegade, Like We are in School and the mid-tempo, Lou Reed-ish Welcome to the Bigs—plus some stuff off his first solo album, including the aforementioned Tilt-A-Whirl and Back to Zero. Overall it was a highly enjoyable show. I didn’t hesitate buying the new disc and have already given it a few spins. I have a feeling it too will be a mainstay in my library for some time.

Chris is definitely a guy more people should know about. His new disc proves that point (it was produced by Don Dixon of early REM fame). Check out his website for more info.

Chris Allen - Things Unbroken

Chris Allen - I Am The Enemy

Chris Allen - One Day Our Bad Luck Is Going To Save Us

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Top 10 Songs for Your Vasectomy

by Moish on September 20, 2007

Vasectomy

This weekend my friend Mofongo and I were talking about Woody’s recent vasectomy and starting joking around about making a list of songs appropriate for the situation. We were laughing about it and so I thought others might get a snicker out of it too. The only criterion was to use songs I like. So without further ado, here are the Top 10 Songs To Get Snipped To.

10. Hurt So Good – John Cougar

What can I say? It’s a guilty pleasure. I truly enjoy this song and, in Woody’s case, the title couldn’t be more apropos…apparently his wife promised him a PlayStation3 if he got the surgery. Fair trade? You decide.

9. Twice As Hard – Black Crowes

Bump and grind all you want Woodman, the plumbing is watertight now. Ironically this song pre-saged Chris Robinson’s marriage to Kate Hudson. Kind of makes sense now, doesn’t it?

8. Hospital Beds – Cold War Kids
This is a fantastic song by a band I can’t stop listening to. And the lyrics fit Woodman’s situation reeeeeeDICKulously well.

7. Yankee Bayonet – The Decemberists
He’s a dyed in the wool Yankees fan. And bayonets cut shit. Get it? Oh, and this is the real chestnut of the album.

6. Detachable Penis – King Missile
I don’t know if I love or hate this song. It totally depends on when I hear it. The spoken word thing is equally annoying and fresh. Kind of like Woody.

5. Sexx Laws – Beck
Now this is a frickin’ great track. You can’t help but dance around when you hear this joint…unless, of course, the doctor’s holding a sharp object near your vas deferens. Then under no circumstances should you dance around.

4. Androgynous – The Replacements
I almost hate to sully this song by including it in the list, but its too fitting to be ignored. Hands down the greatest Mats song ever. I need to know the history behind this song. Somebody help a brother out. Also worth mentioning is that one could make a convincing argument that the entire Let It Be album–from stern to stem—is really a band weighing the benefits of vasectomies. On the pro side is the aforementioned Androgynous plus Unsatisfied, We’re Coming Out and the rockin’ Gary’s Got a Boner. On the anti side is the title track, Let it Be, I Will Dare and Favorite Thing. Hey, if you really go with this logic you could even include Tommy Gets His Tonsils Out on either side of the coin.

3. Cuts Like a Knife – Bryan Adams
As soon as we came up with the idea, Mofongo blurted out this song and I immediately laughed. Perfect.

2. Big Balls – AC/DC
It is almost unfair to include AC/DC in this list as within their oeuvre there are such appropriate pearls as: Let Me Put My Love Into You, She’s Got Balls, Beating Around the Bush, Dirty Deeds Done Dirt Cheap…just to name a few. It’s like the band’s sole reason for being is to provide a soundtrack for guys getting neutered.

1. Love Removal Machine – The Cult
Oh, Billy Duffy, you’ve been a very good boy. Very good boy. This beguiling guitar riff is masterful. For me this song made this band and the metaphoric comparison to Woody can’t be beat.

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iConcertCal - Turn iTunes into a Music Calendar

by Moish on January 29, 2007

iConcertCal

Finally there is something that is indeed better than sliced bread. Introducing iConcertCal - a free iTunes plug-in that monitors your music library and generates a personalized calendar of upcoming concerts in your city based on your tune-age. You simply toggle between your normal library view and the iConcertCal view which looks a lot like a desk calendar filled in with all the concerts in your neck of the woods. See something you like? Click on it and you’ll go to the web and a site that allows you to buy tickies right there.

It was developed by two brilliant (in my opinion) grad students who were sick of missing concerts while studying for their electrical engineering degrees. I would’ve thought it’d been easier to drop out of school so as never to miss another show, but these two brainiacs would have none of that.

Download this sweet little plug-in now or face the peril of missing the next Drive-By Truckers show because you were too lazy to pick up the Chicago Reader. And yes, it’s available for both Windows and Mac OS X.

Download now: iConcertCal.com

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The Final Word

by Moish on January 6, 2007

Dazed and Confused

Over the holidays I was in my hometown and ran in to an old friend of mine, Darren, that I hadn’t seen since high school. Over the past twenty years we have both led very fulfilling and yet very different lives. As you can guess the thing that reconnected us was music.

Darren started talking about cruising around town listening to music and I swear I was right there with him. He went on to say that whenever he hears one of those songs it takes him back to high school and unleashes a flood of great memories. I was so excited to hear this and pointed out that I’d just written a HearYa article in which I suggested that I chose my all-time favorites for the memories more than for the music itself.

As Darren was talking I couldn’t help but wish for a word to capture this phenomenon; this feeling that only music can elicit…it could be the sonic equivalent of onomatopoeia. I remember telling him that if Pat Reilly can coin a word like “threepeat” we could and should create a word for this feeling. Without missing a beat, Darren offered up this chestnut: noisestalgia.

Now it could’ve been the beers or the jaeger shots or the timing of it all, but I flipped. Noisestalgia. It’s perfect. I submit from now on whenever anyone wants to talk about the hand in glove association between music and memories they simply refer to it as noisestalgia, as in “I was listening to that Lucero album and got so noisestalgic…remember Woody almost going to blows with that dude at the concert?” It just works.

Now who’s with me?

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Liner Notes

by Moish on December 15, 2006

Led Zeppelin
I’ve come to the realization that my life is nothing but a series of extremely passionate love affairs with bands. Each lasts a couple of weeks; a month at best. When I’m in the throes of one, that’s all I can think about. In fact, I can’t foresee the flame ever flickering, even though it invariably does. Sure there are some bands I’ll always love (the teflons: the Crue, the Stones, Zeppelin, Wilco), but that probably has as much to do with the memories as the music.

Honestly, at any given moment there is only one band I’m into. Okay, okay, so I admit there has been the occasional dalliance with more than one band (I mean, who hasn’t been caught in one of those Jack Tripper moments?), but the problem is it’s a lot of work…too much work. Invariably I end up trying so hard to give each band equal affection that neither one gets what they deserve. And in the end it’s like I’m cheating them and me. So I quickly move on to the next sexy thing in a three-chord mini skirt.

It all started innocently enough. Just a couple of K-Tel records brimming with sugary-sweet, infectious 70’s grooves, but then things started to get serious when I found my parents’ Magical Mystery Tour album in the basement. I’d never seen anything like it; the colors. the pageantry, and more importantly, the songs. It just all worked. From that point on, my life was no longer measured in hours or days, but in revolutions per minute—33 and 45. You couldn’t have pried that album cover away from me with a crowbar or even a Whatchamacalit bar (every boy has a weakness). I couldn’t believe the lyrics were right there and I was holding them in my hands. It was like I was a member of the band: John, Paul, George, Ringo and me? I don’t think I moved for 332,640 revolutions…that’s an entire week for those of you keeping score at home.

It’s kind of sad that in this day of digital music all you have is the song. There’s no real experience to music anymore. There’s just nothing substantial like an album cover. Back then the album cover was your keyhole to the whole band experience. It’s tiny aperture allowed you to see just enough to divine whether or not the band was cool. There was no margin for error with the artwork, because back then, your first impression was the only impression. To be sure, a good album cover was reason enough to buy a record. For that reason alone vinyl will always be about more than just the music itself.

As I grew, so did my love for music. Gone were LPs and in their wake, impossibly small cassettes that didn’t skip and could be played in a car or a new fangled contraption called a Walkman. As an added bonus, cassettes were easy to duplicate which allowed you to team up with a buddy and split the cost of the album with the understanding you could make a guilt-free copy. (Writer’s note: I don’t acknowledge the whole 8-track movement. It’s like that one-night stand that never happened.). Because of this new medium I experienced a proliferation of music in my early teenage years, which meant my liaisons with each band grew shorter and shorter. The tape player’s eject button quickly became the embodiment of the I-love-you-but-I’m-not-in-love-with-you phase of a relationship. Pushing it signaled not just the end but also the promise of a new beginning which was consummated the second a new tape was inserted into the deck like a phallus. During this era I had my share of flings with bands. Admittedly, I made a lot of mistakes including some regretful proclamations, like, “Tesla’s first album is the best album ever” and “I think Hagar is going to be good for Van Halen…you ever hear Three Lock Box?” What can I say? I was a teenager, my musical hormones were raging.

It was about this time I started developing theories on music that superseded the songs themselves. For instance, any band that opts for a colored cassette case–preferably red–is worth buying; song #10 is invariably the best song on the entire album, even if it’s a ballad; and if you’re a heavy metal band and want to be successful you gotta have at least one member with an alliterative name (e.g. Mick Mars, Bobby Blotzer, Ozzy Osbourne, Rikki Rockett, Carlos Carvazo, Vinnie Vincent, etc.).

Jeff Tweedy
The arrival of high school meant it was time to start taking things seriously, primarily girls and music. Music responded accordingly with the introduction of the compact disc. Girls, not so much. In hind sight, the only thing the two had in common was that each demanded considerably more commitment than I realized. Is it any wonder that the word “fidelity” applies equally to love and music? Thanks to the compact disc I not only found myself spending twice as much for music than I was used to spending on tapes, but also having to re-buy albums on disc that I already owned on tape. Who says money can’t buy you love?

As far as college goes, that time in my life was all about experimentation: reggae, jam bands, alt rock…you name it, I listened to it. I was just trying to find myself. And what I found is that I’d be lost without music. Music started to be more about the beat and less about the lyrical content, which was very odd (and luckily very fleeting). But it fit my lifestyle at the time. That may explain my decree that there really is a time and a place for any groove as long as you can drink cold beer to it.

Now that I’m married, I have a whole new appreciation for music. It’s sort of like my friend with benefits. Concerts have become acceptable affairs, with no repercussions. They bring me extreme pleasure. I mean there is absolutely no better feeling than discovering a band and finding out they’re coming in concert. It’s like meeting a hot girl and then realizing you actually have a chance with her. On the B-side of that record, is the feeling you get when you discover a band after they’ve broken up. Just knowing there’s absolutely no chance ever to see the band live, is the ultimate prick tease…no matter how hard you try, it ain’t gonna happen.

Yeah, I know I’m rambling. And I know this is a site to review bands, but the reason I am writing this is because for me it’s not merely about the bands, it’s about the music. Music’s always been there for me. And I finally understand why. It’s because I don’t listen to music, it listens to me.

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