April 2011

Back in 2009, Portland’s Sallie Ford and The Sound Outside found themselves a fan in Seth Avett. They opened up for The Avett Brothers in Portland and again for NYE in front of 7,700 in Asheville. After spinning Dirty Radio a few times, I could see why Seth and the fine people of Portland have become some enamored with the band.

Fueled by Sallie’s love of The Beatles, Cat Power and Tom Waits, they are a rock-a-billy hybrid with elements of folk, punk, blues, and jazz. Most noticeable at first are Ford’s quirky vocals, but after a few listens, an appreciation builds for the nuances of the band. And I would be remiss if I didn’t pay special attention to The Sound Outside. Ford Tennis (drum), Tyler Tornfelt (upright bass), and Jeffrey Munger (guitar) provide an excellent backbone. This isn’t some young girl singing lighthearted candy pop tunes or whiny love tracks. She’s a woman with a powerful voice that requires a band that challenges her and propels her forward.

The album opens with the hip-swinger “I Swear” where Munger’s guitar licks and solos stand out. The heartfelt “Thirteen Years Old” is a track to find in the middle of the album where the band slows down and showcases Ford’s range. “Write Me A Letter” has some of my favorite lyrics on the album as she reminisces about possessions from her youth that have become irrelevant, like Polaroid pictures and typewriters. My favorite line is: “Today I think I saw 10,000 cell phones/ But not one decent conversation.”

Their first full length comes out on Partisan Records on May 24th. Expect liberal touring throughout 2011.

Sallie Ford and The Sound Outside – I Swear

Sallie Ford and The Sound Outside – This Crew

Sallie Ford and the Sound Outside – This Crew by Partisan Records

 

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The Donkeys are back from a parallel universe where they gigged as Geronimo Jackson and they just released their second full length this week on Dead Oceans. For Born With Stripes, The San Diego outfit balance the twanginess of their excellent debut, Living On The Other Side, with influences from Cali artists of the 90′s like Pavement and Beck.

While their sound may have changed slightly, the band still plays a brand of music that sounds perfect while looking at an ocean. I am currently sitting in Florida for the kids’ spring break, watching the sun come up as I listen to this album. Two of the tunes that have hooks with the Pavement influence, “I Like The Way You Walk” and “Ceiling Tan,” still have that lazy easy-going vibe, perfect for starting the day. Or for that matter, ending the day with a cool one.

After numerous listens,one other comparison I would draw is with a band called Sam Champion. Rolling Stone once said Sam Champion combined elements of Pavement’s Wowee Zowee and Ryan Adams. The same could be easily said of Born With Stripes with its memorable hooks.

The Donkeys – Don’t Know Who We Are

Video: The Donkeys – Don’t Know Who We Are

Don’t Know Who We Are by The Donkeys from Secretly Jag on Vimeo.

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Generationals – Actor-Caster [Album Review]

by Eric Kane on April 27, 2011

It’s late April, which means my thoughts are consumed with the upcoming New Orleans Jazz and Heritage Festival and my annual pilgrimage to the Crescent City. Typically, these ruminations focus more on brass bands and po-boys than on the latest indie record. However, with the release of Actor-Caster, the New Orleans-based Generationals have managed to interject their infectious sound into my internal musings.

Actor-Caster, the band’s sophomore LP, presents an indie landscape that is inhabited by dreamy ‘60s era pop instrumentals, modern electronic sounds, and fluid vocals. The opening track, “Ten-Twenty-Ten,” draws the listener in with driving guitar and a bouncy bass line that beckons warm weather and long road trips. “Goose and Gander,” a song that resonates both sonically and thematically, utilizes furtive handclaps and a pulsing drum beat to tell the tale of two people who can’t stand each other, but can’t stand to be apart. On “Black and White,” lush vocals dance in front of intermittent piano and percussion to create a thought-provoking track that is the album’s finest.

As New Orleans’s fried oysters, cold beer, and unrelenting humidity unleash their curative powers on my beleaguered soul later this week, I will no doubt be awash in a sea of brass music. However, additional pleasure will be taken in knowing that the city that has produced countless legends of jazz, rhythm and blues, and gospel, has also given rise to the Generationals. With Actor-Caster, the Generationals have made an exceptional contribution to the indie-pop canon, and have subsequently given New Orleans a foothold in yet another musical form.

Generationals – Ten-Twenty-Ten

Video: Generationals – Ten-Twenty-Ten

Ten-Twenty-Ten by Generationals from Jubadaba on Vimeo.

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Ben Nichols of Lucero is embarking on a quixotic motorcycle trip through the South with a guitar strapped to his back.  While most musicians would take time off to relax between their band’s tour dates, Ben is spending his vacation on two wheels and in front of small crowds of Lucero’s most loyal fans. I, being one of these cult fans for many years, couldn’t pass up an opportunity to see Ben perform solo – even if it was on Easter Sunday in a spooky room called Purgatory at Masquerade in Atlanta.

I stepped onto a back deck outside Masquerade where much of the pre-show crowd congregated to take in the beautiful 70 degree evening under the stars.  Ben chatted with some fans and then briefly with me and HearYa longtime friend, Tim Sweetwood, who handles booking and promotion at Masquerade. I’d seen Ben perform solo only once before at our SxSW 2010 party and he killed it, but this night was different. Away from the hustle of SxSW, he (not surprisingly) seemed more serene. He had a rough draft of a set list in his mind that included most of the songs from his Last Pale Light In The West solo EP, but the majority of the show was driven by requests from the crowd.

In a day where bands are “social” with fans via Facebook and Twitter, but sometimes move through set lists with military-like discipline,  it was refreshing to see a musician and his fans determining the course of the night together, with mutual admiration for one another. And collaborative alcohol consumption. At one point in the night, Ben was handed a tin flask from a fan and he asked “What’s in it?” Before the fan could answer he said, “Fuck it, I’ll drink it.” Such was the night. Ben would perform a crowd favorite, sip (or gulp) bourbon, chase with a coke, and repeat. If he had trouble remembering words to the song requests, he’d get cues from the crowd before starting each verse.

Highlights from the two hour long set were everything from Last Pale Light In The West, Bikeriders, Sixteen, Kiss The Bottle, My Best Girl, Nights Like These, Slow Dancing, and covers of Townes Van Zandt and Joey Kneiser (of Glossary). The Kneiser cover was particularly special. If you haven’t already, download Joey’s solo album for free here. Ben introduced the song by saying that “Bruised Ribs” is a song he wished he’d written and that Joey offered these for free because they were “just some acoustic songs he threw together.” Ben sarcastically said something like “that fucking asshole,” then played the song.

It’s that humble, accessible stage presence that draws me back to every Lucero show. Ben feeds off of the crowd’s energy and strives to deliver a collaborative experience.  He remarked that he was shocked that so many folks came out to see him (the show sold out). It may be time for Nichols to recalibrate his expectations.  He may be underestimating the loyalty and passion of Lucero fans, even on Sunday night religious holidays.

You can get a taste of the night in the (low quality) video I took below.

Joey Kneiser – Bruised Ribs

Live Video: Ben Nichols – Toadvine (live at Masquerade in Atlanta)

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White Denim’s Drug [Music Video]

April 25, 2011

Speaking of great bands and HearYa sessions, White Denim just released the video for “Drug,” a song off their upcoming release, D. The trippy video is one of the few I’ve seen this year that I immediately wanted to watch again.  D is set to be released on 5/24. I was lucky enough to catch [...]

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The Low Anthem’s Boeing 737 [New Video]

April 25, 2011

The Low Anthem’s “Boeing 737″ is my favorite song of the 2011 so far. It’s filled with intensity with clashing cymbals, soaring horns, and stormy vocals from Ben Knox Miller. The first line still gives me chills every time I listen to it: “I was in the air when the towers came down/ In a [...]

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Bahamas – Pink Strat [Album Review]

April 22, 2011

It’s almost Easter, so I figured I’d write about a dude with an Easter egg colored guitar. Bahamas, aka Afie (pronounced AY-fee) Jurvanen, is a Canadian songwriter that has performed as sideman to Jason Collett, Amy Milan, and then formed a back up band and toured behind Feist for three years. In 2009 he released [...]

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The Wilderness of Manitoba’s Orono Park, Free Chicago Show

April 21, 2011

Whew. Sorry for the long delay in HearYa activity, but we just migrated to a new hosting provider after a couple hellish months with GoDaddy. As I waited for the migration to happen, I looked through a long list of albums and bands that we had planned to discuss and The Wilderness of Manitoba jumped [...]

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O’Death – Outside [Album Review]

April 18, 2011

I’ve loved O’Death since I first heard their ’07 album, Head Home. Seeing them live only cemented my infatuation with them. They have a unique and dark bluegrass sound, accented by Greg Jamie’s vocals, and their frantic performances are something to behold. O’Death’s third album, Outside, is a gauge of where that band is going [...]

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The Love Language, Live Session #87

April 14, 2011

There are only 3 certainties in this world: death, taxes, and The Love Language rocking the shit out of HearYa Live Sessions. We felt honored to have them back for a second time a few weeks ago, and just like their seminal/iconic first session, they did not disappoint (by the by, do we hate the [...]

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