March 2011

Fleet Foxes will release Helplessness Blues on May 3rd and just offered up a video for “Grown Ocean.” Here’s lead singer Robin Pecknold’s description of the album:

I think this music draws influence and inspiration from popular music and folk rock of the mid 60s to the early 70s, folks like Peter Paul & Mary, John Jacob Niles, Bob Dylan, The Byrds, Neil Young, CSN, Judee Sill, Ennio Morricone, West Coast Pop Art Experimental Band, The Zombies, SMiLE-era Brian Wilson, Roy Harper, Van Morrison, John Fahey, Robbie Basho, The Trees Community, Duncan Browne, the Electric Prunes, Trees, Pete Seeger, and Sagittarius, among many others. I’d say it’s a synthesis of folk rock, traditional folk, & psychedelic pop, with an emphasis on group vocal harmonies. Astral Weeks was a big inspiration on this album, if not always in sound then in approach. The raw emotion in Van Morrison’s vocals and the trance-like nature of the arrangements were very inspiring for this album!

Musically it leans on country music a little bit more, in the slide guitar of songs like “Grown Ocean” and “Bedouin Dress” or “Helplessness Blues.” We used a number of new instruments including the 12-string guitar, the hammered dulcimer, zither, upright bass, wood flute, tympani, Moog synthesizer, the tamboura, the fiddle, the marxophone, clarinet, the music box, pedal steel guitar, lap steel guitar, Tibetan singing bowls, vibraphone, along with more traditional band instrumentation.

Video: Fleet Foxes – Grown Ocean

Fleet Foxes – Grown Ocean from Fleet Foxes on Vimeo.

 

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It is rare to encounter a musician that literally causes people to stop in their tracks. Such was the case one sultry evening during SxSW when Charles Bradley stunned fans and passersby at an outdoor venue in Austin. It is perhaps even more uncommon to come across an artist who releases a dazzling debut album at 62, after years of working as a chef in locales as far and wide as Maine and Alaska. Again, such is the case with Charles Bradley.

Released in January, Bradleys No Time For Dreaming is the latest full-length release from Dunham Records, an imprint of Daptone Records. Daptone, the outfit that is responsible for Brooklyns soul-revival movement, has a demonstrated knack for finding artists in unlikely places and Bradley is no exception. He was apparently stumbled upon performing a James Brown routine under the pseudonym, Black Velvet. The timeless sense of delivery that Bradley honed during those performances paired with the palpable emotion and conviction of a man who has endured significant heartache provide for stunning vocals throughout the record. These vocals subsequently combine with poignant song writing and superb backing instrumentals from the Menahan Street Band to create a near perfect album.

The LP also finds success in featuring different genres within the soul canon. “The World (Is Going Up In Flames)” is politically conscious, whereas “The Telephone Song” depicts a mans effort to convince his lover to come back home. “Heartaches and Pain” describes the personal tragedy that Bradley has suffered, and “Lovin You, Baby” is the type of song that sociologists could use to explain a spike in the birth rate nine months from now.

All the elements that make No Time For Dreaming one of the years best will undoubtedly be on display Friday as Charles Bradley and the Menahan Street Band perform a split bill with Lee Fields and the Expressions at Brooklyns Music Hall of Williamsburg. Any music enthusiast would be remiss to let pass an opportunity to see this astonishing performer in his hometown.

Charles Bradley – The World (Is Going Up In Flames)

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The new Starbucks commercial that touts coffee “handcrafted for you” features the song “Generator 1st Floor” by Freelance Whales. Every time I drink my Starbucks coffee, I will now think of where it all began – in a burlap sack, embroidered with my name on it, draped over the shoulders of a sweaty Columbian man somewhere.

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Strand Of Oaks, Live Session #86

by oz on March 29, 2011

It’s been great to watch Strand Of Oaks (Tim Showalter) gain in popularity over the past couple years. It’s been a very organic, word-of-mouth process, but it he’s still indie music’s best kept secret. His passion is rivaled by that of his fans and his genuineness further endears him to those that love his music.

So back in October, a year since our previous Strand Of Oaks session, Tim called up producer Steve Shirk and said he was in Chicago with some time to kill. There weren’t any managers or publicists coordinating dates, times and backline for a HearYa Live Session. Two friends just decided to meet at the studio to catch up on life and music. They started tinkering around and then recorded an impromptu session. Because that’s what they do. Tim Showalter on lead guitar, vocals, and keys. Steve Shirk on camera ops and studio controls.

I’m sometimes amazed at what a solo musician is able to accomplish. We mentioned Strand Of Oaks joining Joe Pug on tour and they both have a unique ability to offer profound songwriting and sound bigger than themselves. Tim’s music is often desolate, much like Springsteen’s Nebraska, but the space he creates keeps your attention and leaves you hanging on every word.

Most of these songs can be found on Strand Of Oaks’ latest album, Pope Killdragon, with the exception of his take on one of my all time favorite songs, “Ohio,” by Damien Jurado.

Strand Of Oaks Introduction

Exclusive: Strand Of Oaks – Bonfire (Videos: Vimeo | YouTube)

Exclusive: Strand Of Oaks – Alex Kona

Exclusive: Strand Of Oaks – Ohio (Damien Jurado Cover)

Exclusive: Strand Of Oaks – Kill Dragon (Videos: Vimeo | YouTube)

Download the Strand Of Oaks Live Session as a zip file.

Video: Strand Of Oaks – Bonfire (Live at Shirk Music + Sound in Chicago)

Video: Strand Of Oaks – Kill Dragon (Live at Shirk Music + Sound in Chicago)

 

 

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The Poison Tree – Self-Titled [Album and Concert Review]

March 28, 2011

Listening to The Poison Tree elicits a unique sense of d©j  vu. Although the precise cause of this feeling is difficult to articulate, it is entirely evident that the band has created one of the most beautiful albums in recent memory. The Poison Tree is the latest project of former King of France front man, [...]

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Joe Pug and Strand of Oaks Cover Each Other’s Songs, Begin Tour

March 28, 2011

I have two special treats today. The first is an announcement that two of my favorite songwriters, Joe Pug and Strand of Oaks (aka Timothy Showalter) are embarking on a tour together. The second is that, to kick off the announcement, each artist covered a favorite song from the other. Pug chose to record “End [...]

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Wye Oak – Civilian [Album Review]

March 25, 2011

I dismissed Wye Oak’s Civilian when it was released. I was a fan of their previous album, The Knot, but I was overwhelmed by the world of music when this album was coming to light. I half-halfheartedly listened to the album one day on NPR, but was still unmoved. After reading on Muzzle Of Bees [...]

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Our Favorite SxSW 2011 Sets

March 23, 2011

HearYa didn’t throw a SxSW party this year and it was the best move ever. We moved from one venue to the next all week and rarely sat down. We didn’t take pictures or video. We used GroupMe to text coordinates friends and friends of friends. We just enjoyed our vacation and exhausted ourselves. To [...]

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Free tickets to sold out Amos Lee show at The Vic, 3/26! [Chicago Giveaway]

March 22, 2011

Looking for something to do on Saturday night? Folk crooner Amos Lee has already sold out a show at the Vic, but we have a pair of tickets to give away to one HearYa reader. Email us your full name to freeshit@hearya.com with “Amos Lee Giveaway” in the subject line to get your hands on [...]

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The Head and The Heart, Lost In My Mind [New Video]

March 22, 2011

The Head and The Heart were one of the brightest spots at SxSW 2011. I wasn’t fully sold on them until seeing them perform at Antone’s where they won over the capacity crowd with an energetic set. Their debut album, which we compared to a blend of Blind Pilot and The Avett Brothers, has been [...]

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