June 2010

During a set at SxSW, our friend Abe from Dead Oceans mentioned that the new Phosphorescent album was going to blow us away. I begged for an advance copy, but much like my female-chasing endeavors in high school, I struck out and was made to wait.

The wait was well worth it. Here’s To Taking It Easy opens with a honky-tonk inspired track, “It’s Hard To Be Humble (When You’re From Alabama),” complete with a rollicking horn section and slide guitar. It brings back memories of The Dead performing Haggard and Cash covers. Always my highlight in any Dead show.

“Mermaid Parade” is a break-up tune for the ages. Houck sings of a cross-country romance gone sour due to long distance. The guitar work is gorgeous as Houck sings woefully about his lost love. This is followed by “I Don’t Care If There’s Cursing” which sounds like it was written and recorded in a half hour’s time. It’s as if Houck asked for a lively bass line and then built a song around it in minutes. They keys serve as background until the end when they come to the forefront and hit all the right spots.

Houck is uses the same band that he worked with on To Willie, which after seeing them three times on tour, I can say with certainty that it was a wise decision. Overall, I feel that this album contains all the things you loved about Phosphorescent prior to To Willie, but with lots of new tricks learned during the recording of that tribute to Willie Nelson. This is most apparent on “Hej, Me I’m Light,” a laconic tune that feels like an outtake from Pride.

And how to do you close such an amazing piece of work? With a nearly nine minute song called Los Angeles that harkens alt-country classics of yesteryear. A song with total beauty in its texture. A song that, at its conclusion, will find you hitting the repeat button on one of 2010′s finest releases.

Phosphorescent – It’s Hard To Be Humble (When You’re From Alabama)

Phosphorescent – The Mermaid Parade

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We’ve followed Dax Riggs since his early days with deadboy and The Elephant Men and we fell in love with his dark, blues-rock inspired solo debut back in ’07. Dax is back and just released a new single from his upcoming August 3rd release Say Goodnight To The World.‚  Sounds like he may be abandoning some of that psychedelic blues sound for more straight-forward rock n’ roll. His attitude is fully in tact.

He’ll be touring starting next month. Check MySpace for dates.

Dax Riggs – No One Will Be A Stranger

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Yourstru.ly put together some phenomenal studio videos of The Morning Benders. We posted the band’s first music orgy here and the band recently released a second video for “Stitches,” featuring some of the Bay area’s finest indie musicians crammed in a studio.

The Morning Benders – Stitches

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Sleepy Sun – Fever [Album Review]

by Woody on June 28, 2010

sleepy sun

Sleepy Sun doesn’t know the meaning of the word short-cut. Fever is an album brimming with subtle nuances and big risks by a band that decided to shoot for the moon instead of settling for a mediocre record of the same old shit.

The album opens with a six and a half minute opus called “Marina” that dips into heavy psych rock and breezy folk that finds vocalist Rachel Williams singing like an angel. Then Bret Constantino and Williams magically intertwine their vocals in a delicate acoustic number, “Rigamaroo” that sounds like it could have been cut in a living room. It’s comfy and confident.

Other highlights include the bluesy harmonica jam that springs out of nowhere on “Desert God,” the texture in the background of the folksy “Ooh Boy,” and the nearly 10 minute closer, “Sandstorm Woman.”

I love Sleepy Sun’s ambition. More importantly, I love how they executed their ideas.‚  A lesser band may have spit out a clusterfuck of noise, but Sleepy Sun hits all the right notes to make Fever a gem.

Sleepy Sun – Open Eyes

Video: Sleepy Sun – Open Eyes

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Sam Quinn + Japan Ten – The Fake That Sunk 1,000 Ships [Album Review]

June 24, 2010

It’s easy to say Sam Quinn’s music is sad. When you dive below the surface, however, you’ll find beauty in his melancholy and heart on his sleeves approach to writing music. At this point in my life, I couldn’t be happier. I’ve been married to a wonderful and beautiful woman for 12 years, I have [...]

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In Silicon Valley with no Internet.

June 23, 2010

Sorry for the downtime folks. I’m back in Silicon Valley for the day job and my hotel’s internet is complete shit. We’ll be back in action very soon. Tweet

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The Wilderness of Manitoba – When You Left The Fire [Album Review]

June 21, 2010

Shirk (our live session producer) once coined The Low Anthem as “Masters of Restraint.” I thought that was a funny label to stick on a band, but as I delved headfirst into my obsession with The Low Anthem, it made more and more sense. The Low Anthem create space and tension and always leave you [...]

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Sunday MP3 Roundup, 6.20.10

June 20, 2010

Happy Father’s Day, Dads. This is a great batch of tunes from the discussions on HearYa this past week. First, from our live session with Jill Andrews. Exclusive: Jill Andrews – A Little Less (Videos: Vimeo | YouTube) Exclusive: Jill Andrews – Sweetest In The Morning Exclusive: Jill Andrews – These Words Exclusive: Jill Andrews [...]

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The Romany Rye fills a void left by Ryan Adams and The Cardinals. [Album Review]

June 18, 2010

The Romany Rye is a philosophical adventure novel written by George Barrows that follows the journey of a learned young man thrown in with a band of gypsies. It’s also the moniker used for singer/songwriter Luke MacMaster’s latest full-band project.‚  Their 8-song debut, Highway 1, Look Back Carefully, is a piece of breezy Americana that [...]

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Jill Andrews, Live Session #73

June 17, 2010

When The Everybodyfields shared a pedal steel laced full-band arrangement of‚  “The Only King” during their HearYa Live Session nearly two years ago, they made big fans out of us.‚  More impressive than the band and the new song arrangements, was the power, control, and purity that I heard in Jill Andrew’s voice on that [...]

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