From the monthly archives:

January 2007

Airborne Toxic Event – Making a Name on MySpace

by Woody on January 20, 2007

Airborne Toxic Event

Airborne Toxic Event was one of the Rolling Stone top 25 MySpace bands. They recently shot us a 3-song EP. In my brief blurb about them before, I referenced The Killers. Curiously enough this 3-song EP has the same number of good songs as The Killer’s latest effort. Three. The EP is a strong initial effort from this LA based band. While there is a consistent sound throughout, each song is unique in its own way and the lead singer’s delivery fits perfectly with the accompanying music.

If you are a fan of Interpol and/or The Editors, keep this band on your radar. Right now they are unsigned, but I expect this to change shortly.

Airborne Toxic Event – Does this Mean You’re Moving On

Airborne Toxic Event – The Girls in Their Summer Dresses

Airborne Toxic Event – Wishing Well

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Hymns: Band Seeks Gig at SXSW 2007 Party

by oz on January 19, 2007

Hymns

I hadn’t heard of a band called Hymns before today. They reached out to us to see if we were hosting a party at SXSW 2007, where they offered to perform. While we’re more than happy to have them rock out in our hotel room or follow us around Austin performing our walking soundtrack, they really deserve much better.

Brian Harding, Jason Roberts, Tony Kent, and Jeremy Kay have a west coast folk-rock that sounds like a cross between Pavement and The Thrills. They also just wrapped up a couple of tours with bands you may have heard of: Ben Kweller and the Lemonheads.

If you’re hosting a party or good barbecue at SXSW, hook these boys up with a gig and let us know where you’ll be. I’d love some brisket and will even bring the PBR.

http://www.myspace.com/hymnsband
http://hymnsband.com/

Hymns – Brothers/Sisters

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The CD, the Record Store, and the Woolly Mammoth

by oz on January 18, 2007

Tower Records

I was in Best Buy the other day, buying the new Tweedy DVD, and I saw someone buying a CD. For some reason my jaw dropped. It was as if I spotted a woolly mammoth. This creature before me was making a purchase for and item, soon to be an artifact, and she was paying in cash! How will she get points?! She might as well have been bartering with a beaver pelt.

Yesterday I read an article in the Chicago Sun-Times about the survival of the record store. This month, CD sales are down another 5% and downloads are up 65%. Although it looks like the CD may become obsolete, there are still some optimists out there. Here are some of the key quotes:

“I think there also is a large group of people who are always going to want something tangible, to hold a CD, to read the liner notes, to build a traditional music collection.” Patrick McNamara, of Insound.com

“Music stores will be like the neighborhood bar, only we won’t serve alcohol,” Laurie said. “It’s a place to hang out and discuss music and discover something new. As long as people like music, there will be record stores.” – John Laurie, owner of Laurie’s Planet of Sound in Lincoln Square, Chicago

“There will always be a need for the physical product — you’re not going to give your mother-in-law an iTunes download for Christmas, but you might give her a box set of classical music.” – EMI Music chairman Alain Levy

McNamara has a point. I do like reading liner notes, but sacrificing those was easy in exchange for the convenience of downloading digital files and storing them on a tiny hard drive. I can’t even imagine the space I would need to store my music library if it were all on CD’s. At some point, those people building their traditional music collections will get wise and begin to go digital.

And Alain and John, I’m sorry. You are both dead wrong. My parents now have iPods and I go to bars to drink. Children are teaching their parents about iTunes and someday those parents will die and the children will grow up. It’s too convenient and economical to download and if Gracenote’s deal with the music publishers progresses, we’ll soon have digital liner notes too.

CD’s are dead to me (mostly) and I won’t be sorry when they’re gone. I won’t miss holding the case in my hands, and in case you’re wondering, I’ll be able to do without the smell and taste of the CD too.

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AudioMap – Your New Best Friend

by Kevin on January 17, 2007

I recently came across a website that we should all come to love and appreciate in time. AudioMap, is a fairly simple concept: take one band and find out what bands are similar to it. Without much shine or flashes, TuneGlue does this very well. Simply type one band into the list at the top of the page, hit enter, and their name will appear center screen. Then click on the band “Node” and hit “Expand.” Here, up to 11 other bands will appear that have a similar sound. This process can be repeated ad finitum. From each band, “Expand” is the primary option, yet there is also a “Releases” option that brings up a window with their 10 most recent, get this, releases, and a link to the Amazon.com site.

Now, how the connections are made is beyond me. The methods used are unknown, though it does claim to be run by LastFM and Amazon. I have been fairly content with the answers provided and even garnered some new bands (Pit Er Pat – review coming shortly). I do believe, after much tinkering, that the suggestions are based on assumed likings, not necessarily similar musical leanings. However, I am very OK with their assumptions.

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Commercial Success Reminds Me of a Sloppy Makeout

by That Guy on January 16, 2007

John Mayer

People always try to make the following argument with music snobs like some of us at HearYa: If you really like an artist or band, why do you suddenly like them less once they “make it big”? The argument is always the band’s music didn’t change, they didn’t change, the album they recorded didn’t change…so you must be a pompous ass if you don’t like a band once they achieve commercial success.

I’ve got a secret – I used to like John Mayer. There, I said it. I can’t stand him now, but I won’t apologize for it. Let me tell you why it’s okay to start hating a band after the rest of the world suddenly pops a boner over them.

The Makeout Analogy
Let me start by saying that I like making out with girls as much as the next guy. I think it’s a great time, and often get ¾ to full boners during makeout sessions. Last time I checked that meant you were enjoying yourself. Let me draw two parallels from making out to listening to music, and how this analogy sort of proves that you’re allowed to dislike a band once they make it big.

1) No One Likes a Slut
Let’s say you are having consistent sloppy makeout sessions with this really hot girl. You absolutely love it. This goes on for several weeks, but then you find out that lately she’s been making out with all of your buddies. With Ryan Seacrest, Fabio, the guy that works at the convenient store down the street, and around 1 million other people you don’t know…even your own mom. After you find that out, an extra-sloppy makeout session with this babe doesn’t sound quite as good anymore, does it? Didn’t think so. It’s the same thing with music. If you hear of a band and make an emotional connection with them, I think it’s natural for you to want to keep them from getting overexposed. If they do become overexposed, I think it’s also natural for you to dislike them. Much like the guy who won “Average Joe II” but couldn’t date Larissa because she made out with Fabio.

2) Too Much of a Good Thing May Cause Chafing
When I was in high school I used to love making out with my girlfriend for hours on end, occasionally stealing 2nd base. When I first discovered the exotic French kiss, I couldn’t get enough. We were necking in the back seats of friends’ cars, church parking lots, underneath blankets at crowded parties…wherever and whenever we could. Kind of like the first few times you hear a great song. You crave it. You want to listen to it all the time. You’ve got to be careful not to put it on repeat. Hearing a song everywhere you turn is like making out for 3 hours straight. Anyone that’s made out for more than 5 minutes consecutively knows what starts happening. Your mouth starts getting a little tacky. Lips start sticking together a little bit. You’re not sure where to put your hands anymore because you’ve exhausted all of your face-caressing and back-rubbing moves. You might even get a stray hair swimming around in there that, if you’re savvy, sends you down to the neck area so you can gather yourself, sneak a hand up to your mouth, and get that dang thing out of there.

Where am I going with this? I can’t really remember. But hearing a song over and over and everywhere you turn is something like making out over and over and for a really long time. You can love that song or that band, but once it starts getting played everywhere you turn, it’s natural for you to begin disliking it. (That’s why I never understood those “NOW! That’s What I Call Music” CDs. Rather than drop $20 on the CD, why not just turn on the radio and hear those same songs every hour for free?)

Getting back to John Mayer, I think my new goal is try to make out with someone for 3 hours straight while listening to “Your Body is a Wonderland” on repeat. I think it might rip a hole in the universe.

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SXSW 2007 Update – Alive Records Bands

by Woody on January 15, 2007

Alive Records Logo

Great news for those attending SXSW. Here are the Alive Records acts that will be performing:

Trainwreck Riders (Read HearYa Review)
Trainwreck Riders

Trainwreck Riders – Christmas Time Blues

Buffalo Killers (Read HearYa Review)

Buffalo Killers

Buffalo Killers – San Martine Des Morelle

SSM

SSM

SSM – Sick

The Bloody Hollies

The Bloody Hollies

The Bloody Hollies – Satanic Satellite

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Buffalo Killers – Buffalo Killers

by Woody on January 14, 2007

buffalo killers cover art
Buffalo Killers self-titled release on Alive Records is a lesson on how to put together a filthy, dirty, no-frills collection. Zach and Andrew Gabbard and Jospeh Sebaali, formerly of underated Fat Possum act Thee Shams reformed to turn out a disc that will be a revelation for fans of The Black Crowes. And not that pussy, Kate Hudson version of the Crowes; the filthy Amorica version of the Crowes.

This album is so rooted in the 70’s; I half expected to hear Gabbard’s mother walk in at any moment to tell them to turn it down and ask what that funny smell is. Once you are greeted by Andrew Gabbard’s wah-wah pedal and the slow bluesy stomp that is “San Martine des Morelle,” you know you are in for a treat. Towards the end of San Martine, there is some great interplay between Andrew and Sebaali on piano that reminded me of The Stones in their heyday with Mick Taylor and Ian Stewart.

The influences are everywhere throughout this album. “SS Nowhere” (The Beatles), “River Water” (Grand Funk), “The Path Before Me” (Skynyrd). Hell, these guys aren’t reinventing the wheel (why would they?), but they are just putting their own personal touches on some great music that we all grew up listening to. I can’t wait to see them live. SXSW maybe?

Buffalo Killers – San Martine Des Morelle

Alive Records Logo

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Banter Records Winter Gift – A Bounty of MP3’s

by oz on January 13, 2007

Banter Logo

Our friends at Banter Records have put together a great winter sampler. Sample away.

Boddicker – from Big Lionhearted and the Gallant Man (due out March ‘07)

Pretty Baby (Part I)
Mississippi Beautiful, You Know I Love You
Samuel Clemens’ Grandpa
Interstate 55

The Antiques – from Nicknames and Natives (out now)

Down to No. County
Pigless
Crook

The Antiques – from At the X (out now)

Silver Lining

The Clock Work Army – from A Catalyst for Change (out now)

Negative Space
The Day We Woke Up Without Mouths
Can’t Hold It Down

Indian Moon

Sleeping With His Gun
Better Friend

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The Channel – Tales From The Two Hill Heart/Sybilline Machine

by Woody on January 12, 2007

The Channel Cover Art

Sometimes I get turned onto an album and I am bewildered that the band is not known to a wider audience. The latest to suffer such a fate is The Channel and their latest double-disc effort off of C-Side Records, Tales From The Two Hill Heart/Sybilline Machine. While I am not expecting them to replace U2, there’s no reason they shoulddn’t be mentioned in the same breath with The Shins and Spoon.

Now I am a self-proclaimed opponent of double-discs. They just don’t ever seem to live up the hype. I’d like to enter In Your Honor as exhbit A. So much was my bias, that I only downloaded Tales from The Two Hill Heart at first, listened it for two weeks, then downloaded the Sybilline Machine.

That being said, this double disc is not just some bloated rock act’s ego trip. It’s actually two separate albums that were released together and there is a pretty cool backstory to how it all came about. The Channel are a five piece outfit that began as a side project for brothers Colby and Brent Pennington (sister Heather soon followed). They were soon joined by Jamie Reaves and Andy McCallister, bandmates of Brent’s from a previous endeavor.

After releasing their second disc, Personalized, the band went their own ways. Two Hill Heart is taken from Colby Pennington’s vast catalouge, while Sybilline Machine was penned by Jamie Reaves while holed up in seclusion. The two albums are varied in so many ways: the lyrics, the tempos, the harmonies, etc. Oddly enough, they fit quite well together.

On their site, The Channel describe themselves as a mix of psychedelic pop with western tones. That’s a pretty decent description. I found Two Hill Heart to lean more towards to the country side, sort of like The Shins playing alt-country tunes. The songs mostly deal with the ups and downs (mostly downs) in life and what it takes to deal with them. “Wages of Death” (futility), “The Deserter” (love lost) and “Aching” (unfulfilled love) all feel full of despair. But there are uplifting moments such as in “Aching” with its big finish, complete with the message: “Someday, we’ll be together. Yes we will, yes we will”

Sybilline Machine, in contrast, leans more towards a psychedelic pop edge. While the lyrics on Two Hill Heart are fairly straight-forward, the lyrics on this follow up album sound like fables or children’s tales. Take The King of Spain: “Once in a feverish state, I was the King of Spain. I collected cranes from forgot people’s names all day.” Although Reeves is responsible for Sybilline Machine, it feels like the band as a whole had their Prozac prescription filled. The lyrics are wistful and the music, airy. It’s like watching a sunrise after hearing the more melancholy, Two Hill Heart.

Overall this is a phenomenal effort by a tremendously talented cast of musicians and songwriters. It would have been neglectful to trim any songs from either album to conform to a single LP. Here’s to hoping The Channel find that wider audience that they so deserve. Drink it up.

From Tales From The Two Hill Heart:

The Channel – The Deserter

From Sybilline Machine:

The Channel – Sybilline Machine

C-Side Records

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SXSW 2007 Band Lineup – Jackpot!

by oz on January 11, 2007

SXSW

HearYa will be crashing the SXSW 2007 party in March and I just stumbled upon a GREAT list of bands rumored to be there. SXSW still hasn’t released a confirmed list, but thanks to the Austinist for monitoring the rumor mill and doing all this hard work.

I also just realized that they missed The Broken West, who has SXSW listed on their website. If you know of any others, please let us know.

SXSW 2007 Band List…as of today:

AM
Ad Astra Per Aspera
Airbourne
Amy Millan
Andrew Winton
Apollo Sunshine
Aqueduct
Architecture In Helsinki
As Tall As Lions
Badly Drawn Boy
Beasts Of Bourbon
Bic Runga
Black Helicopter
Black Moth Super Rainbow
Black Rose Band
Blindspott
Bloc Party
Brave Radar
Call Me Lightning
Carly Binding
Castanets
Charalambides
Children Collide
Chris Mills
Chris Smither
Circa Survive
Cold War Kids
Crooked Still
Cute Is What We Aim For
Danny Saul
Devin The Dude
Die! Die! Die
Dimmer
Dirty Fuzz
Eilen Jewell
Elemeno P
Emmylou Harris
Errors
Evermore
Every Move a Picture
Fatal Flying Guilloteens
Field Guides
Foals
Gasoline Cowboy
George Byrne
Ghostland Observatory
Girl Talk
Go! Go! 7188
Great Lakes Myth Society
HY
Haunt (Matt Hebert)
Hazey Janes
Hedrons
High Dials
Hoodoo Gurus
I Heart Hiroshima
I Love You But I’ve Chosen Darkness
Interpol
Jeffrey Foucault
Jesse Sykes & The Sweet Hereafter
Jessie Deluxe
Josh Pyke
Kill Surf City
Kiosk
Kris Delmhorst
Kristoffer Ragnstam
LZ Love
Les Savy Fav
Lily Allen
Little Birdy
MV+EE
Macromantics
Magik Markers
Malajube
Margot and the Nuclear So And Sos
Mates Of State
Matt & Kim
Menomena
Mint Chicks
Money Waters
Monotract
Morrissey
My Latest Novel
New Buffalo
New Violators
OWKMJ (Ore Wa Konna Mon Janai)
Octopus Project
Okkervil River
Oreska Band
Ozomatli
Pagoda
Paul Kelly
Pete Townshend
Peter & the Wolf
Pig Out
Pistol Valve
Popup
RJD2
Rachel Fuller
Rahim
Rocky Votolato
Sarah Blasko
Sasquatch
Say Hi To Your Mom
Scissor Sisters
Scout’s Honor
Secretary Bird
Shaky Hands
Snowden
So So Modern
Sonic Flyer
Spod
Starky
Stax 50th Anniversary Soul Review
Sunwrae
Tall Firs
Tally Hall
Temposhark
The 50 Kaitens
The Amity Front
The Big Sleep
The Black Hollies
The Caribbean
The Creteens
The Emeralds
The Frames
The Fratellis
The Gear
The Have
The Needles
The Panda Band
The Rise
The Shivers
The Soft Hands
The Stooges
The Theater Fire
The Walkmen
The Weird Weeds
The Wild Eyes
The Young Knives
The Zebras
Thinking Aloud
Thunderbirds Are Now!
Thurston Moore
Turbonegro
Under Byen
Union Of Knives
Via Tania
Viva Voce
Voxtrot
W-S Burn
Watson Twins
Wild Eyes
Winterkids
Winterpills
Wooden Wand
X-Wife
Yip-Yip
Youth Group
Zach Galifianakis

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